Weird News Grave-digging contest brings out strong men

Grave-digging contest brings out strong men

(AP): Like death itself, this was no joke.

A grave-digging contest in a Hungarian cemetery may sound like the opening line of a comedy sketch. It proved to be anything but as 38 competitors grabbed picks and shovels last Saturday. The Hungarian Association of Cemetery Maintainers and Operators organises the contest to showcase the grave-digging trade and its skills and shake off death-related taboos.

The dry summer-baked soil in the public cemetery in Nyergesújfalu, northern Hungary, proved a worthy adversary for the 19 two-man teams. They huffed and puffed and sweated as they raced for the title of quickest-dug and most stylish grave.

“Speed is the main thing here, not the beauty,” said Róbert Nagy, the victor with his teammate László Kiss. “When you have to dig a grave for a funeral, you have to be very careful about the exact dimensions and to make sure that it is beautifully carved.”

Their winning time was one hour, 21 minutes, digging to contest specifications of graves 1.6 metres (5½ feet) deep, two metres (6½ feet) long and 0.8 metres (2.6 feet) wide.

They shared a cash prize of 200,000 Hungarian forints (about US$640, approximately J$101,062.

Snakes audition for opera

(AP): Pretty much everyone on stage at the Metropolitan Opera in New York must audition — even the snake who will briefly take center stage in an upcoming adaptation of a Mozart classic.

In charge of deciding who gets the s-s-s-s-starring reptilian role is Zoe Ziegfeld, a carnival performer-turned-opera actor who is cast as the snake handler in the Met’s version of Così fan tutte, inspired by Coney Island in the 1950s.

Ziegfeld takes each snake, lets it slither and wrap around, then hoists the animal over their head, rehearsing what they will do under the bright lights at centre stage for each performance. Ziegfeld looks each one in the eye, almost face-to-face to evaluate the snake’s demeanour.

“I need to know that the animal is comfortable with people and with what we are doing,” Ziegfeld said. In the cold-blooded competition, a boa constrictor named Princess won. She is a larger snake with a better visual presence on stage.

“We will be moving forward with Princess (the big sun-glow boa constrictor who is yellow-peach) in rehearsals on a trial basis! She is a wonderful snake, and the trial is not about her, but rather about me and my strength,” Ziegfeld wrote in an email after the auditions were over.

A slightly smaller brown boa constrictor named Nala from a second audition will be Princess’ understudy.

This is the third time Ziegfeld has played the role of the snake charmer in the Met’s adaptation of Wolfgang Amadeus Mozart’s 1790 opera. In Mozart’s original, two Italian soldiers decide to test their lovers’ fidelity by pretending to head off to war. They then disguise themselves and try to seduce each other’s girlfriends. In this version, the plot remains mostly the same, but the setting is a 1950s Coney Island carnival complete with vibrant scenery and sideshow performers.

Ziegfeld came to the role honestly, spending a couple of seasons on Coney Island doing eight snake-charming shows a day. After trying out several years ago, live snakes weren’t allowed in the audition space. So, instead, Ziegfeld brought video of the snake-charming act.

“The music’s different. The money is different. It’s a pleasure to entertain. And, with snakes, it’s a delight to know that there are people watching who are in awe and people who are terrified. And those things happen at the Met and at Coney — so I would say they are more alike than different, to be honest,” Ziegfeld said.

The snakes came to their audition thanks to Nancy Novograd and her company All Tame Animals. She got into the business when her horse appeared onstage at the Met in a production of Carmen, and now she provides the opera house with everything from elephants to insects. The first two snakes to audition were a bit small. One might have clashed with Ziegfeld’s top. But the key is personality, Novograd said.

“Animals have to perform as do human talent. Sometimes they have a set type of behaviours that they have to demonstrate. And sometimes they just have to get along with the talent,” Novograd said. “So, in this case, they have to be the right colour, size, and Zoe has to like them.”